• Holy Relics
    • COVID Homes
    • Micro Metals
    • The Distortion of Memory
    • The Fallow Field
    • Atmospheric River
    • Metal Head
    • Metal Head 2
    • The Human Right
    • Chocolate Bar Saints
    • Saints Studies
    • Large Land
    • White Band Series
    • White Band: Lancashire
    • Isle of Arran
    • Fraser River
    • Sheep Studies
    • Sheep
    • M40
    • Chatsworth
    • Antoinette
    • Patisseries
  • Video
  • Installation
  • Gallery Modicum
    • Water
    • Reunion
    • Pixelated Light
    • Land/Labour
    • Malawi
    • Pastries
    • Candy
    • Sepia
    • rivulet
    • Italy
  • News
  • About
  • Ethics
  • Contact
Menu

Michal Tkachenko

  • New Work
    • Holy Relics
    • COVID Homes
    • Micro Metals
    • The Distortion of Memory
    • The Fallow Field
    • Atmospheric River
  • Images
    • Metal Head
    • Metal Head 2
    • The Human Right
    • Chocolate Bar Saints
    • Saints Studies
    • Large Land
    • White Band Series
    • White Band: Lancashire
    • Isle of Arran
    • Fraser River
    • Sheep Studies
    • Sheep
    • M40
    • Chatsworth
    • Antoinette
    • Patisseries
  • Video
  • Installation
  • Gallery Modicum
  • Archives
    • Water
    • Reunion
    • Pixelated Light
    • Land/Labour
    • Malawi
    • Pastries
    • Candy
    • Sepia
    • rivulet
    • Italy
  • News
  • About
  • Ethics
  • Contact

Series: The Distortion of Memory

I admit I have a terrible memory. I retell the same stories multiple times to the same people. I occasionally notice their eyes subtly glaze over. Have I told you this before? Yes, I have, haven’t I!

I also like to embellish a good memory. My theory is that we all like a good story and why not make it even more entertaining than the original? All the while keeping the framework of truth alive (of course).

Does lack of memory change who I become? Who I am to the world? There are parts of my life and people that I barely have a recollection of anymore. I will remember a brief snippet of something we did once, but not their face. I won’t remember their name or the main tide of our friendship.

This series of paintings and miniatures plays with the idea of experience transfused through memory. Behind the door we have a snippet of a photograph, this suggests the actual experience or place we have been. We have a chair that represents the fact we were there. Then we close the door and are left with a much larger and more abstract version of what we actually experienced. Details are muted. Memory focusses on capturing the flavour of the moment over the microscopic detail. This is how my memory seems to work.

View fullsize distortionofmemory1.jpg
View fullsize distortionofmemory1b.jpg
View fullsize distortionofmemory2.jpg
View fullsize distortionofmemory2b.jpg
View fullsize distortionofmemory3.jpg
View fullsize distortionofmemory3b.jpg
View fullsize distortionofmemory4.jpg
View fullsize distortionofmemory4b.jpg
View fullsize distortionofmemory5.jpg
View fullsize distortionofmemory5b.jpg
View fullsize distortionofmemory6.jpg
View fullsize distortionofmemory6b.jpg
View fullsize distortionofmemory7.jpg
View fullsize distortionofmemory7b.jpg